What completion gives a story that continuation never can Last time, we talked about mystery and mystique — the two […]

Why Explaining Great Characters Often Makes Them Smaller In the last article we talked about backstory. About Dead Calm and

Why Backstory Only Matters When It Creates Drama In the last article we talked about genre. About how spaceships are

Why Horror, Romance, Science Fiction, and Thrillers Demand Different Storytelling In the last article we talked about structure. About how

The Hero’s Journey, Save the Cat, and the Shape Your Story Already Had In our last article, we talked about

Travis Bickle, Sheriff Bell, and the resolution that never comes Last time we talked about Travis Bickle. About how Taxi

A reading of the ending of Taxi Driver When the ending doesn’t work, instinct tells you the problem is there.

Why You Can’t Read Your Own Work Your script doesn’t need another reader. It needs a fresh pair of eyes.

Three films that show why a character can have everything against them and still have nothing at stake.  There is